[ overboard / sfw / alt / cytube] [ leftypol / b / WRK / hobby / tech / edu / ga / ent / 777 / posad / i / a / R9K / dead ] [ meta ]

/ent/ - Entertainment

Name
Email
Subject
Comment
Captcha
Tor Only

Flag
File
Embed
Password (For file deletion.)

Matrix   IRC Chat   Mumble   Telegram   Discord

| Catalog | Home

File: 1608526497369.gif ( 714.5 KB , 451x239 , LoseMyCool.gif )

 No.995[Reply]

Going to dump some turn up songs from my youth here. Feel free to drop some as well.
21 posts and 9 image replies omitted. Click reply to view.
>>

 No.1017

>>

 No.1018

>>

 No.1019

>No Michael Jackson
>>

 No.1020

>>9807
https://youtu.be/RdG9xzJMchM
Money makes hearts turn cold, friends turn foes
When jewelry get froze, women turn hoes
Some people turn snitch, and state evidence
Damn this money is a son of a bitch
Don't you know it makes the good die young
Money buy guns, because paranoia comes
Along with those bucks
You better watch your back, your side and your front
Because money is a weapon, it'll fuck you up
>>

 No.1021



File: 1608526483215.jpeg ( 585.65 KB , 1200x1778 , im thinking of ending thi….jpeg )

 No.7505[Reply]

I had to just vent this somewhere. Spoilers below of course.

Overall this is a good movie, I think it did what it set out to do quite well, but it is basically a reactionary and insular view of existential dread and depression through aging.

The director is actually very forthcoming about what the film is "really" about, so there isn't much interpretation except death of the author alternate versions of what the movie was about. Kaufman said the movie is mostly the fantasies of the janitor, who is kind of trying to escape his regret and depression by imagining a better life. But in the process, he is basically so depressed and broken that he can't even achieve that. Kaufman kind of suggests he is interested in a wider notion that it can't be achieved at all, but within the movie it is specifically the janitor who can't fantasize. His own fantasy girlfriend kind of looks down on him, isn't totally interested in him, wants to leave him. He can't decide what her name is, how they met, what her career is. He keeps changing his mind about what happens on the night that they go meet his parents. He even inserts himself into his own fantasy as a creep, when the girl and the janitor's younger self kiss in the car and suddenly the younger self notices the janitor peering at them and rages that there is a pervert watching them. Ultimately the movie ends with the janitor killing himself by getting in his car during the blizzard and not turning it on.

So maybe it is obvious why this movie feels like it has a very liberal or even reactionary message, but I'll spell it out anyways. The director, Kaufman, is kind of a pretentious guy. I like a lot of his movies, but he is very concerned with existential crises and memory and identity and stuff. He is a good filmmaker, but I want to highlight how his focus is kind of idealist. I think he has very metaphysical notions of what drives human beings to behave and think the way they do, so to him this movie isn't about a depressed janitor so much as about the human condition. However, the movie is literally about a depressed janitor. Not only that, but the movie has several key lines in it that feel like they almost directly confront and endorse the concrete form the movie takes.

Basically, the movie explores this guy's regret and depression by kind of suggesting that there is no resolution to it, it is just a part of the human condition to have regrets and fear aging. The viewer just watchPost too long. Click here to view the full text.
10 posts omitted. Click reply to view.
>>

 No.7516

It's ok.
You don't have to fight it anymore.
>>

 No.7517

What the maggot-infested pig hallucination says is not meant to be taken as the film's own position. It might as well be taken as the janitor's cynical self-hatred, saying it for the sake of hurting himself more. Or maybe it's a cope.
IMO the whole film is clearly a collage of conflicting thoughts and emotions that the janitor can't control, and it's impossible to single one of them as the explanation for the rest. Maybe the point of the film is that we're inescapably pathetic, fake and delusional, which is also Kaufman's shtick in his other films it seems.
If that's really the case then the film's point is very weak indeed. At best the film is an existential amusement park ride. Existentialism for the sake of dread, because that's what existentialists enjoy more than anything else.
>>

 No.7518

YMS just did a summary on this movie
https://www.youtube.com/watch?v=Fv9Zv-rpWzs
gotta say from what i've seen, looks like people are right and the pigs and things are his own self hatred, not so much an endorsement of the movie itself. That said, seems like a movie that's very individualistic and about self-reflection. Even under socialism, some people are just going to end up feeling subjectively unfulfilled and linger on 'what ifs'
So it doesn't seem so bad to me in regard to capitalist ideology
>>

 No.7519

what a weak bish honestly. I think about killing myself daily and I'm not even 30
>>

 No.7520

>>10383
Imagine not killing your self.


File: 1608526444318.jpeg ( 149.17 KB , 1200x1200 , 1_nfcRhUOyKfsSX3i6NmGd5Q.jpeg )

 No.7482[Reply]

How based was this show? And, do you have faith that the reboot will do any justice to the previous seasons?
17 posts omitted. Click reply to view.
>>

 No.7500

Half the Tubesteak promos were based.

>>9642

>Apparently Aaron ran out of steam on a personal level and that's part of why season 4 sucked
Pretty sure he wasn't even involved in Season 4
https://html.duckduckgo.com/html?q=aaron%20mcgruder%20season%204
>>

 No.7501

>>11160
Tbh I think it is leftist, it’s just that the current generation of leftists probably can’t comprehend the world of the post-Soviet collapse
Remember, Cockshott himself writes that around the 90s most leftists had given in and accepted the supremacy of liberalism and the Market. I think Boondocks is representative of that first generation having grown up when neoliberalism came to power and defeated the worldwide socialist movement.
>>

 No.7502

>>12683
He wasn’t, Season 3 was his last season and the producers themselves wrote 4 because they didn’t want it to end, a lot of fans think the sole quality episode in that season was written by McGruger himself, he just didn’t reveal it.
>>

 No.7503

File: 1608526897786.jpg ( 88.7 KB , 1200x675 , smug kamala.jpg )

https://en.wikipedia.org/wiki/Kamala_Harris#District_Attorney_of_San_Francisco_(2004%E2%80%932011)
>Harris ran a "forceful" campaign, assisted by former mayor Willie Brown, Senator Dianne Feinstein, writer and cartoonist Aaron McGruder, and comedians Eddie Griffin and Chris Rock.
>writer and cartoonist [b]Aaron McGruder[/b]
OH NO NO NO
>>

 No.7504

>>12970
Eh, it was obvious he was a radlib, I never read into him as more than that TBH, based thoughts or not.


File: 1608526380565-0.jpg ( 862.75 KB , 1000x1426 , they-live-5585c9ba75dad.jpg )

File: 1608526380565-1.gif ( 975.19 KB , 500x270 , they live porky.gif )

 No.3546[Reply]

I've seen only a few other threads about horror on here and they seemed too specific, so I thought I'd make a broader one.

How do you feel about the current state of horror media? To me it seems at it's always been in a way; a mixed bag. However I feel like I've noticed this trend and, correct me if you think I'm wrong, a lot of more successful recent horror seems to be more creator-driven than in the past.

This is natural I think, as the internet has opened a lot of opportunities for more unique visions and riskier decisions that large studios would otherwise reject.

In a strange sort of symbiosis, though, these large studios attempt to acquire these successful creators and even properties for themselves; see the phenomenon of Slenderman for example. Once an entirely community made, solely internet creation has gotten several of his own movies, and has by and large become an 'artifact' of sorts of 2010's-era web. Studios cannibalize these unique properties and, once they've made some modicum of a profit, utterly destroy the integrity of them, leaving communities to look for the next big thing in horror.

With that aside, feel free to discuss almost literally anything horror related here; movies, books, ARGs, games, creepypasta (the rare good kind, if you can find any).
32 posts and 7 image replies omitted. Click reply to view.
>>

 No.3579

>>3575
Fucking based
I never watched the movie and always felt uncomfortable how much pol liked this movie but lmfao they got project muh jews onto everything
>>

 No.3580

>>3579
>I never watched the movie
Why haven't you seen it? You should, and also watch Zizek's funny commentary on it.
>>

 No.3581

>>3580
The movie is great were can I watch zizeks commentary?
>>

 No.3582

>>

 No.3583

>>3574
I got the feeling that they were satirizing something (that I can't put into words because I'm ESL) at the end of The World's End too.
Has someone else felt like this when watching Hot Fuzz? It's the only one I haven't watched recently so I wouldn't remember if there was anything that could be considered commentary on capitalism.


File: 1608526188138-0.jpg ( 63.44 KB , 679x887 , IMG_20200721_220000.jpg )

File: 1608526188138-1.jpg ( 55.62 KB , 480x1131 , IMG_20200718_234716.jpg )

File: 1608526188138-2.jpg ( 59.7 KB , 804x693 , IMG_20200629_225327.jpg )

 No.7342[Reply]

Aight, so I've heard folks talking about how lazy a certain "toon-boom" style is, I just wanted to hear opinions and show off some art I made
89 posts and 20 image replies omitted. Click reply to view.
>>

 No.7432

>>10387
stay mad
>>

 No.7433

the best way to animate is just draw lots of wojaks
>>

 No.7434

I don't give a fuck about whatever styles cartoons have these days, I'm more concerned about executive meddling and the neverending exploitation of animators and writers.
>>

 No.7435

>>11443
> executive meddling and the neverending exploitation of animators and writers.
So something that gets solved by capitalism being eliminated then.
>>

 No.7436

File: 1608526739412.jpg ( 255.88 KB , 702x1159 , 740.jpg )

Getting back on topic.

The biggest entertainment name in history would have enough resources to not recycle animation cycles nowadays. Particularly when it is entirely CGI.

I mean… back in the day? When you had to hand draw each and every cell of animation? Yeah, I can see being cheap, or at least not wanting to cramp you hand over and over again while drawing it all.

But Frozen is a question of base character design when you can make rigs and shit, right? I realize it is likely more complicated than it looks, but you still start with a base model that simplifies things greatly that you can just copy and paste between scenes.


File: 1608526178399.png ( 292.49 KB , 452x395 , Screenshot 2020-07-07 at 9….png )

 No.7253[Reply]

So my grandma lived in Lithuania back when it was an SSR (She says she was born right after ww2 for reference) and she liked the movies there, from what I can gather they were family friendly affairs similar to the first pirates of the carribean in tone, any comments and maybe recomendations for old soviete media?
83 posts and 20 image replies omitted. Click reply to view.
>>

 No.7337

>>12064
by media i meant cartoons
>>

 No.7338

>>12064
I frankly don't see why. The animation is neat, the short stories are never crass or outright stupid and it's fairly good at carrying across fixtures of Russian culture.
It's also a show aimed at 2-6 year olds, so it's not exactly meant to be comparable to a more mature cartoon work.
>>

 No.7339

>>12066
i didnt like it either, my favorite was nu pogodi that was the best
>>

 No.7340

>>12069
The irony being that Nu Pogodi imitated Tom and Jerry with Russian characteristics, rather than being it's own format.
>>

 No.7341

>>12075
Why the hell are my posts saged for no fuckin' reason!?


File: 1608526130355.jpg ( 189.43 KB , 2220x1248 , 1595557386005.jpg )

 No.7242[Reply]

thoughts on Mad Men? It is easily my favorite TV show of all time.
5 posts and 1 image reply omitted. Click reply to view.
>>

 No.7248

Poor man The Sopranos
>>

 No.7249

>>7852
It has no similarity to the Sopranos except by aesthetic, the Sopranos are a totally different subject.
>>

 No.7250

>>7036
I felt the writers were a little too in love with Don, he's supposed to be this deeply flawed character living a paper thin life, but just about every episode gives him an opportunity for a grand gesture of forgiveness or charity. I guess his arc lacked weight to me because of how often he's shown to genuinely be the most well adjusted person in the room.
>>

 No.7251

>>8054
Agreed. I like how they did my girl peggy at the end though, when Don let her step forward and take the wheel.

Also is Draper wordfiltered here?
>>

 No.7252

>>8054
That's kind of the point, he's a mostly good guy suffering from imposter syndrome, he's not the equivalent of a tony soprano type.


File: 1608526126941.jpg ( 132.89 KB , 481x435 , 20200722_183158.jpg )

 No.7169[Reply]

This is the capeshit film thread
Discuss capeshit
I'll admit I hate Marvel films, first off they're some of the glowies films out there, every single one fellates the Pentagon. The plots are almost all identical, filled with general pro-porky propaganda. The jokes are overdone and stale, literally Adam Sandler humor. The CIA is shit for such expensive productions. The characters are getting stale. Fuck these movies, death of cinema shit piles.
67 posts and 11 image replies omitted. Click reply to view.
>>

 No.7237

>>7236
Yeah, bay of pigs invasion basically except w the suicide squad
>>

 No.7238

>>7237
yes not very subtle
i watched and i enjoyed it

the visuals was the highlight of the movie but the ending was sad
i was feeling this movie was both siding it and it kinda did that but when peter cappaldi's character started talking it didn't feel like that
the hypest moment was actually when the workers beat the shit out of their boss amanda walKKKer
basically i'm trying to say is that The Suicide Squad (2021) is actually a socdem pro workplace democracy worker co-op movie.

I feel so bad for starro :(

Shark man was good but his voice acting was boring as fuck, stop hiring people like stallone just for their big name man
James Gunn really felt formulaic with his GoTG tropes in this

Rats were the heart and the soul of this movie. I got so mad at seeing Taika Waitti when he cameo'd but the last line he spoke really was the sweetest.
>>

 No.7239

File: 1629266209866.png ( 2.21 MB , 1912x1010 , 523.png )

Also what the fuck was weasel? He lived but what he's going to do now? Fuck them keeping peacemaker alive in the end credits. He was boring

I clapped when he said this in the theatres. Peacemaker? more like Comrademaker! Ha
>>

 No.7240

>>7238
>The Suicide Squad (2021) is actually a socdem pro workplace democracy worker co-op movie.
Kek. You are very easy to manipulate, lad.
>>

 No.7241

>>7240
what part of that sentence does it make you think it's not a joke and serious statement?

I thought (2021) was enough but I should have used some copyright symbols to make the joke somehow less subtle


File: 1608526074941.png ( 2.22 MB , 1600x1067 , syndrome.png )

 No.6875[Reply][Last 50 Posts]

ITT "villains" who did nothing wrong.
288 posts and 87 image replies omitted. Click reply to view.
>>

 No.7164

>>7162
He's an antagonist, which can be, but is not necessarily the same as a villain. Ergo he's did nothing wrong and was never a villain to begin with.
>>

 No.7165

>>7163
>this just isn't the thread for discussing the South.
tell that the other user, my post was just about rednecks lel
>>

 No.7166

>>7162
why is this movie about the director and his mother
>>

 No.7167

>>7166

It's more about the struggle to not be a failson and what makes a man worthy of respect in his community but every artist weaves a bit of themselves in their pieces
>>

 No.7168

File: 1628702028972.png ( 2 MB , 1280x720 , ClipboardImage.png )

Perseus and Bell were comrades
-Finishing Adler
-Perseus treats Bell like a HUMAN BEING
-Bell's real comrades don't betrayed him
https://www.youtube.com/watch?v=8b_ZAM5qUdU


File: 1608526069455.jpg ( 519.96 KB , 1552x873 , scary movies poster.jpg )

 No.6864[Reply]

Before anyone says it
Yes
Obviously most horror films from the 80s were shit, as with most movies in any decade

However, I do have to say that the 80s seem like the horror decade, the decade that set most of the new trends for horror and introduced the most classics, while, IMO the 2010s were the second best decade for horror, they're still far-outstripped by the 80s, why?
5 posts and 1 image reply omitted. Click reply to view.
>>

 No.6870

>>6525
The first slasher was the short story The Most Dangerous Game about a bougie cunt who hunts and kills proles for sport, you can't change my mind so fuck off.
>>

 No.6871

>>6525
This, but unironically
>>

 No.6872

>Forced Entry is a 1973 adult horror film written and directed by Shaun Costello under the pseudonym Helmuth Richler. It stars Harry Reems (credited as Tim Long) as an unnamed and psychotic Vietnam War veteran who sexually assaults and kills women who stop at the filling station where he works as an attendant. Called "one of the most disturbing and unpleasant porn features ever made," the film utilizes actual footage of the war, predominantly in the rape and murder sequences.[1]
https://en.wikipedia.org/wiki/Forced_Entry_(1973_film)
>Noting the film is "the first film to show a disturbed war vet coming home from Vietnam," Ed Demko calls the film "one of the more important and relevant films to ever come out of that age of pornography. It’s a film that really transcends the time that it was made and might even be more important now than the age it was made. Sure there’s a ton of nasty sexual activity in the film but the subject matter and what the movie is actually saying goes way beyond that."[4]
>In "Forced Entry: Serial Killer Pornography as Patriarchical Paradox", scholar Robert Cettl assesses the film's role as pivotal in the history of American serial killer films and discusses its subversion of American patriarchy "by highlighting a paradox in relation to hegemonic masculinity" and how the director turns pornography "into self-conscious political discourse", arguing the film critiques patriarchical reaction to second-wave feminism (represented by the independently-living female victims) as grounded in war-mongering (rape-murder scenes interspersed with footage from the Vietnam War) and ultimately doomed to self-implosion (the killer's suicide).[5]
>>

 No.6873

>>6525
having sex without government certification, drinking fermented grains, dancing with friends are considered "degen" by the mentally ill only and should be thrown in the prison for free labor

>>6528
Point in case
>>

 No.6874

>>6525
I never thought about this but it's kind of true. it's kind of fun to watch bourgeois middle class try to fight for the lives and die trying.
like I had this mentality watching horror before I even gave a fuck about socialism.


Delete Post [ ]
[ overboard / sfw / alt / cytube] [ leftypol / b / WRK / hobby / tech / edu / ga / ent / 777 / posad / i / a / R9K / dead ] [ meta ]
[ 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 / 16 / 17 / 18 / 19 / 20 / 21 / 22 / 23 / 24 / 25 / 26 ]
| Catalog | Home