Satoshi Kon

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Satoshi Kon Anonymous 2021-02-08 (Mon) 19:56:28 No.6004

Can he be considered the greatest Anime Director ever or does the Crown still go to Miyazaki?

If he is, what makes puts his work in a class of his own?
If he is not, why do you think he is overrated?

Anonymous 2021-02-08 (Mon) 20:52:34 No.6005

Boring pretentious garbage. He's not even close to Oshii or Miyazaki.

Anonymous 2021-02-08 (Mon) 21:02:07 No.6006

>>6005
Ok can you elaborate?

Anonymous 2021-02-09 (Tue) 09:35:22 No.6016

>>6005
explain
does the word "pretentious" have any meaning anymore when referring to artistic works?

Anonymous 2021-02-09 (Tue) 16:35:22 No.6023

>>6004
boring radlib cringe

Anonymous 2021-02-09 (Tue) 19:01:39 No.6024

Who makes an animated film about regular people doing regular things? Why not just make it live action?

Anonymous 2021-02-09 (Tue) 21:26:10 No.6025

>>6023
> radlib

kys

Anonymous 2021-02-09 (Tue) 21:43:57 No.6026

>>6024
To show off your animating skillz

Anonymous 2021-02-10 (Wed) 14:22:18 No.6034

>>6024
Some things can only be expressed through animation. Satoshi Kon is widely known for cutting his own films, and the cuts themselves are much shorter and thus convey more information than what is feasibly possible in live action film.

Anonymous 2021-02-11 (Thu) 16:11:03 No.6051

>>6016
Not him, but i find that the themes of escapism and consumerism or whatever that permeate his work are treated in too straightforward and near-sighted a manner. It's probably the biggest reason why Perfect Blue has become a staple of the pretentious weeb canon, it's critical of it's own audience but more in a conservative way that's supposed to fill you with pure disgust rather than actually make you think about the distinction between the real and virtual or whatever. Tokyo Godfathers is good kino tho

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