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 No.9259

I'm tired of weebs shitting on Western pop culture. What excuse do these mfs have to shit on Western pop culture if they themselves watch some mediocre harem and isekai slop? Western pop culture isn't bad, we have a rich back catalog of great Western works waiting for us to discover them. Neither did it become worse, all the good and promising talent just went into the indie and AA segments so basically the West sorta relies on doujin circles for releasing great games, comics, cartoons and music which is fairly unique to it compared to the Far East. And even AAA game studios, Netflix and cartoon channels, with all their DEI, dwindling quality and appeals to the lowest common denominator, still occasionally produce some bangers (CDPR, Rockstar, id Software, MachineGames, io Interactive and [adult swim] still look promising despite all the fuckups).

So here's my message to the weeaboos: stop shitting on something you don't understand and having a superiority complex because you watch moe girls flashing their panties and jiggling their tits on-screen. Sure, Western pop culture is in its late-capitalist casual-friendly pandering enshittification phase but it's not all doom and gloom, even though it used to be better when it comes to the mainstream pop culture. Or maybe it became too mainstream so the indie scene is sort of a counterbalance to that? Remember how gamers were often bullied for their hobby? Now everyone and your dad plays video games and it obviously affects their quality.
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 No.9260

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These designs are official btw.
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 No.9262

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>Weebs: "Disgusting inferior Western cartoons. Know your place, scum."
<American animators: *literally the biggest anime fans ever*
Man, people's love for Japanese culture really is an abusive relationship.
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 No.9263>>9264>>9265

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I can't stand this. This is what's ruining the long-running American cartoon franchises now. You cannot entrust these franchises to American megacorps, they're gonna fuck everything up. I say they should be in public domain already, like Steamboat Willy. These reboots and remakes only worsen the public perception of Western animation even further.
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 No.9264>>9268

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>>9263 (me)
I say that and then I remember that this also exists.

Wtf is happening in the heads of Netflix and CW's execs?
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 No.9265>>9266

>>9263
>public domain already, like Steamboat Willy
What do you think about the horrror versions they've been making of public domain stuff?
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 No.9266

>>9265
>What do you think about the horrror versions they've been making of public domain stuff?
I mean, whatever they're making cannot top rule 34 in terms of horror, that's for sure.
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 No.9268>>9270>>9275

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>>9264 (me)
Faye is kinda hot though. But the show feels like a cheap CW series. Compare this to, say, Netflix's One Piece.
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 No.9270

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>>9268 (me)
Also, they hired a black guy to play a character with a little bit of tan. If they needed a DEI hire they could've hired a latino or something. No idea why they didn't. Again, the logic of Netflix and CW's producers makes no sense. Have you read the script of Powerpuff? If it was released it would've been an officially approved fanfic. We have characters having sex, cheating, getting addicted to drugs, all kinds of edgy cringe-worthy stuff.
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 No.9272>>9274

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<"I had one meeting with them and I told them, 'When you turn them into adults, they’re no longer the Powerpuff Girls because if they’re adults, that’s just three super girls who don’t have to deal with being kids.' That’s a completely different show."
https://www.latimes.com/entertainment-arts/tv/story/2023-11-17/powerpuff-girls-25th-anniversary-craig-mccracken

While I get where Craig is coming from I disagree with the idea that this is the reason why the live-action reboot turned out so poorly. The show just sucked. Plain and simple. It's just a glorified fanfic with cheap production values. The 2016 reboot (holy fuck, this cartoon had THREE REBOOTS!) also had them as little girls. That reboot sucked, as Craig himself agrees. He has a point on the 2016 reboot's showrunners flipping his original concept on its head tho. And Powerpuff IS a generic CW show with the branding slapped on it indeed, that's the problem. It's lazy. Also, PPG appeared in FusionFall as grown-up teenagers and it was epic. So the issue's clearly not that they weren't kindergardeners anymore.
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 No.9274

>>9272 (me)
>THREE REBOOTS!
Screw that, FOUR. And if you count FusionFall it's FIVE. The other reboot is a special made by Lauren Faust which is considered its own continuity if I haven't forgotten anything. Dear Lord…
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 No.9275>>9276

>>9268
Right looks like a joke poster.
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 No.9276

[Embed]
>>9275
>Right looks like a joke poster.
The show is real tho.
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 No.9288

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The chuddy weeblets claim that the dreaded "Western influence" is what will ruin anime FOREVER, yet anime was always influenced by the West in some way (the anime art style was influenced by Disney, Cowboy Bebop was influenced by Westerns, Samurai Champloo was influenced by hip-hop (?) and Panty and Stocking was obviously influenced by both Powerpuff Girls and Drawn Together). In fact, some Western influences on anime are actually GOOD. Not only are Western influences from Western culture can add unique flair to anime (JoJo, Bebop, PSG, Edgerunners, Scott Pilgrim) but they also help represent Western culture more faithfully, as well as improve the portrayal of black people for example (there are even some great black protagonists in anime now, an example of POSITIVE diversity unlike what we see in Hollywood), not to mention that the merging of Western and Japanese influences can create a combination that's the best of both worlds. Hearing Western-style music in anime can feel refreshing and exciting, and seeing references to Western pop culture activates those dopamine receptors in Western viewers.

However, not all Western influences are created equal. Obviously wokeness and modern feminism are a big no-go, they're cancer that's killing Western entertainment too so it spreading to anime would be very upsetting. It's already infuriating that Funimation inserts woke feminist messages into their translations now. Also, it should be stressed that some cultural isolation actually makes a country's art more unique and enjoyable than if it was tainted by globalization. Anime too has certain quirks unique to it that make people interested in it in the first place so losing them would remove all the charm. Ofc I'm not a fan of every quirk (I don't like the tsundere archetype, the repetitive use of the same jokes and very drawn-out romcoms that end very abruptly) but I don't want all of them to just disappear.
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 No.9291

bump
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 No.9292

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No other medium was affected by commodification as much as music. Mainstream music was trash even before the 21st century, it was only a matter of time until Western big-budget movies, superhero comics, TV shows and AAA games became trash, I think it's just a natural coarse for turning art into business. It's terrifying how many shitty pop songs major labels manage to pump out in one year, pop music is the precursor to YouTube's content farms. Same for broadcast TV tbh, broadcast TV is the worst.
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 No.9294

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You know, even if kids' cartoons are dying adult cartoons are taking their place, being free from the restrictions kids' networks would put on them. I don't see American animation becoming worse, it's just different now than it was before. But even kids' cartoons of yesterday weren't as immature as people claim them to be, they're not Peppa Pig or anything like that. Why do people think that anything other than FOX, MTV, Comedy Central and Adult Swim projects is just variations of Peppa Pig or Dora the Explorer?

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