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 No.829[Reply]

Any fans? Where do I start besides song related?
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 No.832

Just listened to another of his, this one's called "Apparition," and it's got vocals, too! Great stuff.

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 No.1[Reply]

Discuss and share songs, albums artists you like. You can talk about making music as well.
Usually not my genre but I enjoyed this https://www.youtube.com/watch?v=zMaRguzy2gU
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 No.53

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 No.54

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 No.55

>>52
Didn't hear this one before, nice
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 No.817

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 No.818

>>817
I like the bit where he says she might have a dick

 No.807[Reply]

CCR also acceptable.
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 No.808

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 No.809


 No.763[Reply]

1946 - 2025
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 No.764

No idea who this bitch is nor do I care
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 No.765

>>764
rude
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 No.782

>>763
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 No.783

BROKEN ENGLISH

 No.586[Reply]

Elvis is like the Stalin of rock, everybody wants to be him.

Post your favourite Elvis inspired sets or songs.
2 posts omitted. Click reply to view.
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 No.655

Black Sabbath covering "Blue Suede Shoes" in 1970
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 No.656

This honestly could just as well be a Jerry Lee Lewis pastiche or something.
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 No.778

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 No.779

>>778
This is Falco's ghost actually
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 No.780

Anything early by The Misfits (Danzig on vocals) is very Elvis.

 No.664[Reply]

Thread for posting and discussing Ragtime, the enigmatic synthesis of various strains of American culture into what would become the sonic progenitor of jazz, pop, and the American music of 20th century modernity. Born out of a combination of the classical marches of Sousa and black American folk music, and coinciding with rise of early recording technology (including the player piano), Ragtime would become a major world phenomenon, as well as the beginning of the black songwriting/recording star in American popular culture.

It's generally pretty neat, basically.
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 No.676

File: 1734481300350.zip ( 3.02 KB , Bunyip 1911.zip )

>>675
Alright let's see if this works
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 No.677

>>676
Thanks broski!
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 No.678

>>677
Np anything for my rag bros
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 No.684

Scott Joplin's Treemonisha (1911) was his relatively obscure contribution to opera, and had very little, if anything, to do with ragtime… but still had just a little hint of black folk music incorporated into a couple numbers like "A Real Slow Drag," and so, to an extent, it presages Gershwin a bit in terms of mixing black folk/blues with classical influences in a theatrical context. The story is mildly fascinating in that it treads territory which is vaguely familiar to contemporary audiences; it's the story of a young, educated black woman triumphing over superstitious "conjurers," a group analogous to grifters or drug dealers led by a raggedy bokor-like witch doctor. I tried to put it on once and I found it pretty dull, but the opening instrumental overture is pretty good.
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 No.748

This Scott Joplin comp is pretty good as far as stuff direct from the piano rolls goes.

 No.746[Reply]

29 July 1959 – 20 January 2025
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 No.747


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 No.693[Reply]

Post 'em.

Picrel, an '80s zine interviewing the members of Venom in 1984.
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 No.701

>>693
Another Venom interview with Sky's Monsters of Rock in 1985.
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 No.702

KISS - The Tom Snyder Show 10/31/1979
Ace Frehley very drunk.
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 No.720

Literally who?
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 No.723

>>720
You've never heard of KISS?

 No.703[Reply]

Dream Pop, jangles, etc.
3 posts omitted. Click reply to view.
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 No.707

>>706
Yep! Although I haven't heard much by them.
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 No.708

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 No.713

>>704
Hell yeah
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 No.718

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 No.719


 No.694[Reply]

Can be dark, ominous, mournful, apocalyptic… modern, romantic, whatever.

Opening with one of the greatest, Scriabin's incomplete Mysterium. The writing of this one started in 1903, and Scriabin died before it could be completed, with it later being pieced together by Alexander Nemtin over the course of 28 years. This was only intended to be the first part in a much longer piece which would last a week and be followed by armageddon.
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 No.695

William Bolcom's 1967 organ piece Black Host performed in the early '70s. Evil, thudding organ with a brief ragtime section at one point.
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 No.696

A manic number from Luis de Freitas Branco's 1914 symphonic poem Vathek, based on the William Beckford's orientalist gothic horror classic of the same name.
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 No.697

>>696
And another from that! Really sinister, this one.
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 No.698

>>697
The epilogue, with moments of tragic melancholy.
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 No.699

The big crowd pleaser, Chopin's Marche Funèbre from his Piano Sonata No. 2. The underrated bits are the incredibly sweet parts which make it even sadder, it's really incredible.

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