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File: 1764919888220.mp4 ( 60.33 MB , 1920x1080 , Hezbollah military media D….mp4 )

 No.1551[Reply]

Bottom text
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 No.1552

Flashback to a classic
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 No.2031

File: 1776175747980.mp4 ( 11.65 MB , 852x480 , VID_20260414_100718_248.mp4 )

🟡🟢 Hezbollah:

Shoot—well-aimed—hold your head high


File: 1765277857220.jpg ( 138.69 KB , 532x578 , John the Balladeer Manly W….jpg )

 No.1616[Reply]

Dark country, Gothic Country, ominous depressing old country, depressing country songs, haunting western, death country, eerie country murder ballads… whathaveyou. Post it here!
34 posts omitted. Click reply to view.
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 No.1881

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 No.1882

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 No.1944

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 No.1992

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 No.2028



File: 1775829869300.png ( 693.91 KB , 720x718 , bitchesbrew.png )

 No.2010[Reply]

Thread for Jazz Fusion, Jazz-Funk, and MAYBE a little Smooth Jazz.
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 No.2011

Fantastic Jazz guitar performance here!
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 No.2024

Features incredible claymation as a bonus.


File: 1752858471643.jpg ( 117.94 KB , 1080x1080 , massive attack kneecap jul….jpg )

 No.1189[Reply]

Massive Attack announce alliance of artists in support of Gaza, including Fontaines DC, Kneecap and Brian Eno

Massive Attack, Kneecap, Fontaines DC, and Brian Eno have officially formed a syndicate for artists who speak out about “aggressive, vexatious campaigns by pro-Israel advocates” against the people of Gaza.

The news was shared via social media, in a statement that began “the scenes in Gaza have moved beyond description,” before clearly expressing that the UK government has clearly “facilitated” the “genocide”.

The group aims to protect other artists, especially those at the beginning of their careers, from threats experienced as a by-product of speaking out in a similar way. The group revealed that they have been “subject to various infringements from within our industry (live and recorded) and legally via organised bodies such as UK Lawyers for Israel (UKLFI).”

UKLFI reported Bob Vylan for their Glastonbury set, during which they chanted “death to the IDF.” A criminal investigation is currently underway. UKLFI also reported the BBC for broadcasting the set. As a. result, the broadcaster’s Head of Music and a team of senior BBC workers have stepped down while an internal investigation goes ahead.

UKLFI are also at the centre of the Kneecap controversy after Mo Chara was charged with a terrorism offence after he allegedly displayed a Hezbollah flag at a show in 2024 while shouting, “Up Hamas, Up Hezbollah.” Hezbollah are a banned organisation in the UK.

Reflecting on these tactics, the post states, “Having withstood these campaigns of attempted censorship, we won’t stand by and allow other artists – particularly those at earlier stages of their careers or in other positions of professional vulnerability – to be threatened into silence or career cancellation.”

It then encourages other artists “who’ve been placed in this position, or those who now wish to use their platforms to talk about Palestine but are concerned about industrial or legal repercussions” to contact them to make a collective stand.
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 No.1342

This is a big one. In recent months, a number of artists have removed their music from Spotify in response to CEO Daniel Ek investing $700 million in the AI military startup Helsing. Now, Bristol trip-hop pioneers Massive Attack have become the latest act to boycott Spotify. Most of the artists who have announced the removal of their music from the streaming service are independent. Massive Attack, like temporary Spotify boycotter Neil Young before them, are major-label artists. On Spotify, they have nearly eight million monthly listeners. Massive Attack have been vocal about their opposition to Israel’s campaign of genocide and to militarism in general, and they’re putting their money where their mouth is.

Today, Massive Attack joined a group of more than 400 artists and labels who have elected to block their music from all streaming services within the state of Israel while urging major labels to do the same. In announcing their alignment with the “No Music For Genocide” campaign on Instagram, Massive Attack went on to say that they have further moved to take all of their music down from Spotify everywhere, citing a situation in which “the hard-earned money of fans and the creative endeavours of musicians ultimately funds lethal, dystopian technologies.” Here’s what they’ve written:

"In support of the “No Music For Genocide” initiative, Massive Attack have made a formal request to our record label (Universal Music Group) that our music be removed from all DSP streaming services in the territory of Israel.

Unconnected to this initiative & in light of the (reported) significant investments by it’s CEO in a company producing military munition drones & Al technology intergrated into fighter aircraft, Massive Attack have made a seperate request to our label that our music be removed from the Spotify streaming service in all territories.

In our view, the historic precedent of effective artist action during apartheid South Africa and the apartheid, war crimes and genocide now being committed by the state of Israel renders the “No Music For Genocide” campaign imperative.

In the seperate case of Spotify, the economic burden that has long been placed on artists is now compounded by a moral & ethical burden, whereby the hard-earned money of fans & the creative endeavours of musicians ulitmately funds lethal, dystopian technologies.
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 No.2023

File: 1776164674824.mp4 ( 1.07 MB , 480x270 , IMG_20260414_065902_560.mp4 )

Massive Attack's Robert Del Naja unlawfully arrested under the Terrorism Act.

In this video, he explained he did it on purpose and criticises the UK government along the same lines as Banksy did in his mural.


 No.2012[Reply]

April 17, 1957 - April 9, 2026
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 No.2016

What? Damn…
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 No.2018

>>2017
>Diddy blud
Just to be clear, I don't think he was connected to Diddy (that I heard of), but this post probably means that he was sexually molesting children, which I did hear of. I also heard that children didn't know what sexual molestation was in those days, so they just thought he was gay.

Sad, because he did a lot for hip hop.
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 No.2019

>>2018
>homophobic children
Sorry, what?
>Sad, because he did a lot for hip hop.
Death of the author or something. Kricfalusi also did a lot for modern animation. He's also a racist sex offender.
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 No.2021

>>2019
Okay, I misremembered.

https://www.youtube.com/watch?v=n44y3XDycmk
>Lord Jamar: Rumors Afrika Bambaataa Gay for 20 Years, Lying About Victim

14:04
LJ: Okay. We've been heard this about Bam, that he was gay.
LJ: This rumor's been going around for more than 20 years, that he's gay.

14:17
DJV: So what exactly were you hearing?
LJ: That Bambaataa's gay.
DJV: Okay.
LJ: Not that he was a pedophile, [but] that Bambaataa is gay.
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 No.2013[Reply]

Anyone fond of it? I've been listening to a wee little bit of it today.

The Celtic harp goes back a long ways, with it featuring in pre-Christian Irish myth as one of the magical items used by The Dagda. It's a symbol of Ireland to this day, but I hadn't heard it played very much for a while. It's pretty nice!


File: 1775479211746.jpg ( 94 KB , 700x700 , a1565220885_16.jpg )

 No.1994[Reply]



 No.1979[Reply]

Fun & educational video just dropped
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 No.1987

Another one they did a bit earlier.


 No.870[Reply]

Honestly Jump Blues is probably acceptable too but only if that's all ye got. Gimme sounds!!!
8 posts omitted. Click reply to view.
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 No.1396

1924.
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 No.1599

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 No.1600

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 No.1675

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 No.1975

Experimental Big Band. From Escalator Over The Hill. Dig that screaming sax!


 No.1146[Reply]

This guy dropped a massive TRVTHNVKE. He's literally 100% right.
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 No.1148

The metaphor of pop music being junkfood for our ears works way too well. Maybe capitalism is trying to turn everything into a form of junkfood. Think of the blockbuster movies with their over-the-top CGI or AAA games with "muh graphics."
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 No.1161

File: 1748497847808.jpg ( 50.59 KB , 600x900 , bass-babe-attitude-v2-2555….jpg )

WHERE THE FUCK IS ALL THE BASS IN POP MUSIC!!? WHERE IS IT!!?

These motherfuckers can't keep getting away with this!!
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 No.1971

The problem with most critiques of mainstream music is that they focus too much on “le old school” aesthetics, praising it as real

And most underground music is rehash of mainstream


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