/music/ - Music

Brilliant psychedelic post-hardcore guitar instrumental

From March 13th o' this year.

>>2071
>celebrating
Fool we're literally just posting music. Take your juvenile pseudo-intellectual ethical consoomerist shitposting elsewhere.

>>2073
But why do they sing about love and heartbreak and Christianity instead of class struggle?

>Dancing In The Street
Why aren't they going protesting and going on strike in the street?

>>2074
The problem is not what they are singing. The evil lied in the scheme of mass consumption of cultural commodities that arise after WWII. This kind of music in fact has nothing bad per se. It would have been perfectly fine if people owned it, played it and enjoyed it in tabernae or wherever. The record market, radios, tvs transformed even the artists into commodities and labels; even singing about class struggle could have been exploited the same way.

>>2074
>But why do they sing about love and heartbreak and Christianity instead of class struggle?
Why did western classical composers from 200 years ago write operatic fantasy, romance, and tragedy instead of about class struggle?

Shit, better go yell at somebody for listening to Mozart. Better condemn Mussorgsky immediately; the USSR didn't, but maybe that's why the USSR ultimately failed, they didn't understand the importance of pretending to be morally above historical music that was in no way revolutionary and didn't pretend to be. Unlike you, a definitely very serious socialist who will create the world's most successful socialist revolution by complaining about Martha and the Vandellas.

>>2075
This, the subject matter doesn't actually matter that much. The evil is in the industry. That's not to say there wasn't music around less un-revolutionary than Motown hits, in terms of lyrics, but even that can be mass-marketed and it isn't revolutionary on its own to sing about class struggle.

Why are there so few good white rappers in America/UK/France? Is that due to the way hip-hop is engraved into black culture? Other than big names like Eminem or Beastie Boys I haven't heard of any. It's funny how in every other popular genre it's the complete opposite, you have to actively search for bands like Bad Brains. I guess Sevendust and Killswitch Engage still managed to hit it big (very cool metal bands btw, you should check them out).

>>1977
Rock was kind of "whitened" or assimilated or whatever in a different time - hip hop actually wasn't the first popular genre to stay black in terms of how it was perceived culturally, it essentially happened with funk, too. There were white funk musicians, of course, but the vanguard of the funk genre was always mostly black - Parliament/Funkadelic, Sly and the Family Stone, James Brown, etc. Early funk rock (including 2 of the aforementioned bands) was also the only strand of rock which was still primarily black in the 1970s, when rock'n'roll and its offshoots had otherwise largely become "white" before 1962. Before funk, soul/r'n'b had also stayed black, but kinda to a lesser extent - there was still blue eyed soul, doo wop, British r&b, etc. where there were white stars who were just as big.

I put it down to a cultural shift after the 1970s, but, admittedly, it is kind of weird that, after all this time and all these white rappers, genuinely impressive ones are still kinda scarce. There are lots of great, talented white funk musicians, but somehow with hip hop there seem to be fewer per capita wypipo who are good at it. Then again, I barely listen to rap.

>>1978
>Rock was kind of "whitened" or assimilated or whatever in a different time
Actually, now that I think of it, the most successful white rappers are in nu metal and metallic hardcore bands (Rage Against the Machine, Faith No More, Biohazard, Stray From the Path).
>it essentially happened with funk, too.
I know but I think funk isn't as popular as rap and rock anymore. Same for jazz, which is also quite black I think.
>Early funk rock (including 2 of the aforementioned bands) was also the only strand of rock which was still primarily black in the 1970s
I've noticed that too. Looks like those black rock and metal musicians who incorporate traditionally black music genres like funk and hip-hop turn out to be the most successful (Mother's Finest, Body Count, Cypress Hill, Sevendust, Living Colour, 24/7 SPYZ). Except for Bad Brains who succeeded purely by pioneering hardcore punk.
>somehow with hip hop there seem to be fewer per capita wypipo who are good at it
It also seems to be primarily an American/British/French thing since there are a lot of black people. Compare any other European rap scene and it's mostly white.

Now I truly recognize the benefits of Black History Month.

circa 1990

>>933
Why did you post a rap where a person rhymes only one single syllable, as if rap didn't evolve beyond that already?

Circa 1979.

i listen to burzum

Also he posted gore in a group chat unprompted and he said he was addicted to gore like it was porn and that he was desensitizing himself to it and laughing at it.

>>2054
Yikes… Average 'anti-idpol leftist' everyone..

>>2055
uygha he murdered a 14-year-old who he was dating. "Posted gore in group chat" isn't even in the same universe.

>>2056
Most mainstream musicians at this point are considerably worse to listen to than Burzum, and I say this as someone who pretty much never listens to Burzum and thinks Burzum is kind of overrated (Mayhem, Emperor, Gorgoroth, Darkthrone, Bathory > Burzum). Burzum is merely a guy who killed one of my favorite guitarists, is personally a racist, burned some churches, and stole a family's car in a parole violation. The structure that mainstream pop musicians are a part of does way worse than that - David Geffen, Lucian Grainge, Len Blavatnik, these guys are all using the finances sucked up through their puppet artists to pay for genocide, as direct donors to "israel" and the IOF. Like, Dua Lipa, Coldplay, Bruno Mars, Cardi B, Ed Sheeran, Green Day, Linkin Park, Red Hot Chili Peppers, Madonna, Taylor Swift, Drake, Billie Eilish, Post Malone, Olivia Rodrigo, The Weeknd, Ariana Grande, Morgan Wallen, Kendrick Lamar, Adele, Justin Bieber, Ariana Grande, Lorde, Selena Gomez, Lady Gaga, Nicki Minaj, Lil' Wayne, Drake, Chris Stapleton, Kacey Musgraves, Bon Jovi, The Beatles, Queen, Lana Del Rey, Katy Perry, Halsey, Sam Smith, Niall Horan, Nas, Rihanna, Kendrick Lamar, Blackpink, Noah Kahan, Guns N' Roses, Aerosmith, Weezer, blink-182, The Cure, Beck, Weezer, Nirvana, Snoop Dogg, Mary J. Blige, Common, Kali Uchis, Camila Cabello, Gracie Abrams, Carly Rae Jepsen, Jannelle Monáe, and more all objectively have more blood on their hands, and are bigger Fascists on an institutional level, than Varg Vikernes, who is a Fascistic murderer with blood on his hands.

Like, the freakish, isolated personal level of racism and violence perpetrated by a guy like Varg just has no comparison whatsoever to the scale of violence and racism financed by artists who are major money machines directly hooked up to zionism and the U.S. empire. Folks are kind of conditioned not to notice this, and to prioritize small-scale stuff in the same way that folks are conditioned to get more mad about petty theft than they are about mass-evictions, wage theft, land speculation, and large-scale theft by bankers. Measuring everything in entirely interpersonal judgments of purely persPost too long. Click here to view the full text.

The 70th Eurovision Song Contest, set to take place in Vienna in May, will include Israel as a participant.

Signatories of the open letter supporting the boycott of KAN from No Music For Genocide include Brian Eno, Massive Attack, Paloma Faith, Paul Weller, Kneecap, Hot Chip, Of Monsters and Men, IDLES, Primal Scream, Sigur Rós, Young Fathers, Mogwai, Black Country New Road, Erika de Casier, Nadine Shah, Dry Cleaning, Roger Waters, Ólafur Arnalds, David Holmes, Nemahsis, Macklemore, Peter Gabriel, Salute, Vacations, Smerz, Mechatok, and The Knife’s Olof Dreijer.

They wrote,

As artists, we recognise our collective agency – and the power of refusal. We refuse to be silent. We refuse to be complicit. We call on others in our industry to join us. And we stand in solidarity with all principled efforts to end complicity in every industry.


Spain, Ireland, Slovenia, Iceland and the Netherlands will not be participating in Eurovision due to Israel’s inclusion in the competition, which the open letter described as “principled withdrawals”.

https://nomusicforgenocide.org/eurovision

zionist glowies working hard to try and excuse this on reddit

Why is Radiohead not as harsh on Israel as opposed to mainland China, such as when they played at the Free Tibet concerts in the late 90s and early 2000s?

Furthermore Radiohead also urged fans to campaign to free Li Xiaobo, who, when asked what it would take for China to realize a true historical transformation, said, "[It would take] 300 years of colonialism." and "[…] I have my doubts as to whether 300 years would be enough". Furthermore Xiaobo also received a $650,000 grant from the NED (National Endowment for Democracy), which is funded by US congress.

>>2046
Radiohead are frauds… maybe even an op, honestly. Their pro-"israel" bias supposedly derives from Johnny Greenwood being married to a woman who was in the IOF, but in that case why pretend to be outspoken anti-badthingists at all?
It's very odd, the explanation that one of them is married to an "israeli" so they literally cannot criticize anything which is directly understood to be "israel"-related. They tried to re-puff their bogus anti-establishment image recently by acting mad about ICE using one of their songs for some weird ICE promo video, but if she had been in the IOF a few years later, Johnny Greenwood's girlfriend could have literally trained the ICE agents who are going around shooting people and detaining people for criticizing a certain apartheid state, and Radiohead are actively banking on people not understanding that, and actively encouraging them to ignore it. It's weird to posture as outspoken and actually be aggressively obscurantist.

Should I re-record the lead vocal for this?

I'm pretty sure I pronounced "Mort A Macron" wrong. It was a pisstake doo wop song but I've been tweaking it for the last several hours. Is it catchy?

Warner Robins Raytheon Fire Tribute.

>>777
This has great energy I just wish the words were more clear, if you didn't post the lyrics it wouldn't be intelligible. Maybe you need to record more takes with the instruments and vocals separately and spend some time mixing it better, but I don't know what specifically you need to do to make the vocals clearer.

>>2042
this is great

>>980
I really felt the americana in this

Prog/Psych 1973, really pretty.

A lot of folks like the Live At Pompeii version from 1972 better, but I still think the original is fantastic.

Kinda proto-gothy prog from 1972.